"La Haine," directed by Mathieu Kassovitz in 1995, is a significant film in French cinema, marking a turning point for both the industry and society. The movie, recognized with the Best Director Award at the Cannes Film Festival, explores themes of hatred towards the police, poverty, violence, and racism within the Paris suburbs or "banlieues." The film uses a straightforward black and white style, presenting a stark and intense portrayal of the struggles in these neighborhoods. "La Haine" follows three characters—Vinz, Hubert, and Saïd—providing diverse perspectives on crime, poverty, and cultural diversity. The film's narrative is subjective, capturing the characters' involvement in various conflicts. The use of intercuts helps maintain continuity and emphasizes the passage of time. The main characters, played by Vincent Cassel, Hubert Koundé, and Saïd Taghmaoui, each represent different aspects of the societal challenges portrayed in the film. The director's choice to identify the characters by the actors' real names adds a layer of realism. The analysis of a specific scene from (9.54) to (10.27) highlights technical elements such as lighting, sound, and camera movements. The scene focuses on Vinz, emphasizing his obsession with violence and a gun. The gradual zoom, lighting techniques, and facial expressions contribute to building tension and conveying the character's anger. The film, shot entirely in black and white, revolutionizes the portrayal of 1990s Paris, giving a voice to the banlieues and depicting the cycle of violence. The cinematography uses tracking and establishing shots to define the environment, while the absence of color underscores the theme of equality. However, the objectification of women and their limited representation outside domestic roles raises questions about the film's commitment to portraying true equality and fraternity.