Karima 2G is a Liberian – Italian singer, rapper, dancer and beatsmith. Karima 2G began her career as a dancer and became a professional emcee and speaker of the major Italian clubs. Indeed, working with the main Italian electronic, dance, house music station M2o, she became one of the official voices and the backbone of the network's events. In 2010, together with DJ / Producer Cukiman she founded PepeSoup, a duo that blends the typical rhythms of the African continent clubbing, maintaining a clubbing vision that moves forward in times. Consequently, the group established a record label called Soupu Music, which was careful focus on finding talents whose music expresses urgency and represents the tension of the contemporary world. Among the most influences songs of PepeSoup, here are the british bass music, lots of rhythms and sounds of West Africa from countries such as Nigeria, Ghana, Senegal, Liberia and the Ivory Coast. In 2011, Karima 2G also has been selected from Al-Jazeera to be part of a project based on integration 'Surprising Europe', which brought together artists from different european countries. In 2013, after rediscoverig her roots through a journey back to her homeland, Liberia, Karima 2G became the director of an orphanage in the capital, Monrovia. Once back in Italy, she used music as a medium to bring out the values of her culture of origin in an Italian perspective, focusing on the integration of the second generation in Europe. In 2014, she released her solo debut album 2G (Soupu Music) which was entirely written and produced by the artist herself. She combine electronic elements, urban bass music and grime with afro influences. Her style of singing and rapping incorporated english and pidgin english, which is her mother tongue. The videos of the first two singles, Orangutan and Bunga Bunga , cause public reactions and critics. Immediately then, the attention of the media multiply when someone brought up the name of M.I.A.: from music magazines as Rumore and Blow Up, passing to online newspapers, such as Corriere della Sera and Il Fatto Quotidiano, fashion magazines as Vogue.it and the swedish magazine Bon Magazine, arriving to the african session of the US original progressive urban music site Okayplayer. All of them emphasized the power of the album in its both sounds and texts made in a crucial historical moment.